Christopher McQuarrie’s ‘Conan the Barbarian’ Sequel Will Shoot in 2027, Says Arnold Schwarzenegger
Sebastian Stan and Renate Reinsve Shed Tears as Devastating Family Drama ‘Fjord’ Gets 10-Minute Cannes Premiere Standing Ovation
Shirtless Charles Melton, Brutal Murders and Daddy Issues: Nicolas Winding Refn’s ‘Her Private Hell’ Slays Cannes Crowd With 7-Minute Ovation
Billy Joel Denies Rights for Proposed Biopic Charting His Life Pre-Fame: ‘Legally and Professionally Misguided’
Warner Bros.’ Clockwork Closing In on Park Chan-Wook’s ‘The Brigands Of Rattlecreek,’ With Matthew McConaughey, Austin Butler, Pedro Pascal and Tang Wei
‘Yesterday the Eye Didn’t Sleep’ Review: Observational Drama on a Distressing Case of Patriarchy is Poignantly Rooted in History
Mad Solutions lands Mena rights to Zamo Mkhwanazi’s ‘Laundry’ as its first non-Arab title
Former Channel 4 head backs idea for combined public service broadcaster streaming platform
Apple’s Eddy Cue to Receive Entertainment Person of the Year Honor at Cannes Lions Festival
Passenger Director Is Ready To Make Scary Stories To Tell In The Dark 2 — But There's A Catch [Exclusive]
Shamrock Capital Launches Fourth Content Strategy Fund Since 2015 With $813 Million in Commitments
‘The Samurai and the Prisoner’ Review: Kiyoshi Kurosawa’s Samurai Murder-Mystery Needs a Sharper Blade
Budapest-Based Love Cubed Ramps up International Slate With Cassian Elwes, Veronica Ferres-Produced Horror ‘Controllers’ (Exclusive)
Miles Teller Stopped Doing Press Profiles After Esquire Magazine Called Him ‘Kind of a Dick’: ‘It Felt Like Such a Violation’ and Was ‘So Mishandled’
‘I See Buildings Fall Like Lightning’ Review: Clio Barnard’s Compelling Portrait of Working-Class Love and Disappointment
Jay Lycurgo on Going From ‘Steve’ to ‘I See Buildings Fall Like Lightning’: ‘I Love These Stories — They’re Just So Real’
Tom and Jerry: Forbidden Compass review – furry foes out of their depth in candy-coated Chinese adventure
‘Death Has No Master’ Review: Asia Argento Gets an Anti-Colonialist Comeuppance in a Slow-Burn Siege Flick
Studiocanal, Sun Africa Group sign three-year South African theatrical distribution deal
‘Minotaur’ storms to second place on Screen’s Cannes jury grid; ‘Bitter Christmas’ also lands
Pedro Almodóvar Says ‘Europe Must Never Be Subjected to Trump’ and Wears ‘Free Palestine’ Pin at Cannes Press Conference
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